Do you like us? Would you like to see our posts?
In order to create advertising sales, Facebook recently started using fancy language and fancy programming to ensure that only about 15% of posts are actually seen by the people that 'like' that page. That's a bummer, becuase we think our posts are pretty great!
If you agree, please go to our page, hover over the "like" button, and click "Show in news feed."
(click 'get notifications' if you REALLY like us)
It's pretty common to offer 'hospitality' as part of the compensation. It's a nice gesture, but a) it doesn't actually cost them much, b) money paid at a gig can be used to purchase other goods and services and c) unless your landlord really, really likes corn dogs, HOSPITALITY DOESN'T PAY THE RENT! (NB: Yes, I've been asked to play out-of-town festivals in exchange for snack bar credits)
from 'four things every musician's gotta know' #4: “Exposure” kills.It’s no coincidence that this term refers to what kills you in bad weather. Although genuinely valuable exposure opportunities show up, they’re quite rare. “Exposure” is almost always offered as a feeble excuse to try to get naive performers to work for low or no compensation, based on the mere chance of an intangible commodity of dubious real value. The term is so common that booking agents will tout their venue’s excellent exposure opportunity, yet tell you (in the same breath!) that the place has no built in draw and you'll have to bring your own following.
Almost anyone you talk to will say they "support" music. To them, that usually means to go to a show, clap, and smile.However, we live in an age where music is instantly produced by white plastic electronic devices for free. Why would any one pay for that? Musicans are just hobbysts who appear out of nowhere and 'have fun,' right? It's getting more and more difficult to remind people that what musicians do is a service that has value, and they have bills to pay just like everybody else. Part of the campaign's goals is to educate the general public that music takes preparation: a poll we did a few years back indicated that on average, musicians spend four hours preparing for every hour that they're on stage. Many do much, much more.
from 'four things every musician's gotta know' #1: Hobby vs. Service. A hobby is noncommercial. You can start and stop whenever you want, you don't have to work continuously to hone it, spend time and money advertising it, or carry equipment. However, when the time, place, duration, and high quality are all specified, that's not a hobby any more-- It's a service, especially in a business BASED on (making money from) that service.
Early hominid musicians didn't want or need to ask for guaranteed wages. They also didn't have bills to pay! To those musicians who continue to agree to perform for low and no wages, And to those content to complain about the state of things, yet unwilling to take action for positive change, I say:Quit with the knuckle-dragging and evolve!
Remember folks, Exposure can kill or find you on the wrong side of the law! From "Four things every musician's gotta know:" #4: Exposure kills.It's no coincidence that the overused term 'Exposure' refers to what kills you in bad weather - it's generally used to get artists to work for low or no compensation, under the shady premise that there's a chance someone might see them that might give them some real work, or, worse yet, "Make them famous." Booking agents will freely tout their venue's excellent exposure opportunity, yet tell you (in the same breath even!) that there's no built-in draw. They don't even realize they're suggesting you'll get new fans, plus famous, by performing to an audience that you bring.
Unless you're a piccolo or triangle player, remember to figure something in for 'Portage' in your job estimates. At the end of a three hour gig with three additional hours of load in, load out, setup, and tear down, you'll be glad you did.
I have a different set of rules: 1) Are the other musicians similarly committed? 2) Does the band have a coherent vision and goals? 3) Do the other musicians insist on playing crappy, no-pay gigs? if 1 or 2 are 'no' or 3 is yes, I leave. Maybe that's 'cause I'm a decent drummer!
We get this all the time: "Yeah, our band got screwed again last weekend. Fair Trade Music?! Great idea brah. Let me know when you're done fixing things for me." Nope. Musicians are mired in a red sea of societal values. We're not Moses... we're not even Chuck Heston. We're just the folks handing out buckets, and if we want to fix the current zero-minus-expenses, race to the bottom status quo, we all need to start bailing. In other words, we're all somebody. Now do something! You can start by signing up as an endorser here, and please be sure to check 'go to the next level.'
Most music fans see musicians on stage "having a good time," but they don't see that being an entertainer isn't usually entertaining, hence the slogan "Music is a day job." According to a poll we did a few years back, musicians spend about three hours in preparation (not to mention travel, load-in, load-out, setup, teardown, promotion, and marketing) for every hour they spend on stage. Performing is a service that involves preparation and expenses. There's no reason those services should be free.
Perhaps our first international/transatlantic mic salute - Playing at Pharaohs from Glasgow.