Musicians:

Musicians:

What do you think you're doing? 

Should you quit your band?

Should you quit your band?

I have a different set of rules: 1) Are the other musicians similarly committed? 2) Does the band have a coherent vision and goals? 3) Do the other musicians insist on playing crappy, no-pay gigs?  if 1 or 2 are 'no' or 3 is yes, I leave.  Maybe that's 'cause I'm a decent drummer!  

Eating Music

Eating Music

Since this isn't actually possible, make sure you are getting paid enough to put real food on your table. You - and the other musicians in your market - will be better off for it.  

Bands are small businesses -- name your brand carefully!

Bands are small businesses -- name your brand carefully!

Look, Fair Trade Music is about helping musicians make better music by getting them at least a minimum wage. We're not here to save these miserable turds!  Raising the minimum to something above zero minus expenses does not preclude a meritocracy --  It's still up to venues to hire acts they think will make good business partners. Bands still have to do half of the promotion and entertain the crowd, keeping them there dancing, drinking, and wanting to come back.  If the band's good enough to hire, they're good enough to get a minmium wage. If they do their job well, they're worth more. 

Only if U organizez

Only if U organizez

U can, kitteh, if u workz w/ Fair Trade Musik 4 positive change "LOL" 

Money for New Instruments

Money for New Instruments

Fans tend to forget how expensive gear is, and musicians apparently like buying it so much that they forget to figure the cost of amps, strings, cables, repairs, drums, heads, cymbals, mics, cases, effects, stands, etc. etc. into their overhead costs.  

Art and Music Require Preparation

Art and Music Require Preparation

"Music is a day job."  According to a poll we did a few years back, musicians spend about three hours in preparation (not to mention travel, load-in, load-out, setup, teardown, promotion, and marketing) for every hour they spend on stage.  Performing is a service that involves preparation and expensesThere's no reason that service should be free. 

For The Love, Brau!

For The Love, Brau!

There's nothing wrong with 'Doing it for the Love..."  when conditions are right.   If  absolutely everybody's donating their time, play your heart out.Otherwise, if you're doing it for the love and someone else is doing it for the money, that's not love.  You are getting screwed. Moreover, we're all in this same bathtub and it's not very big. So, like it or not, that gets us screwed, too! Stop it! Get a guarantee or say "no."

HOBBY?!

HOBBY?!

from 'four things every musician's gotta know' #1: Hobby vs. Service.  A hobby is noncommercial. You can start and stop whenever you want, you don't have to work continuously to hone it, spend time and money advertising it, or carry equipment. However, when the time, place, duration, and high quality are all specified, that's not a hobby any more-- It's a service, especially in a business BASED on (making money from) that service.

Fair Trade Music Logo

Fair Trade Music Logo

Use this logo or our banner on your Website, Myspace, Facebook, Flyers and Posters to show your support for Fair Trade Music.

Exposure Kat 1

Exposure Kat 1

from 'four things every musician's gotta know' #4: “Exposure” kills.It’s no coincidence that this term refers to what kills you in bad weather. Although genuinely valuable exposure opportunities show up, they’re quite rare. “Exposure” is almost always offered as a feeble excuse to try to get naive performers to work for low or no compensation, based on the mere chance of an intangible commodity of dubious real value. The term is so common that booking agents will tout their venue’s excellent exposure opportunity, yet tell you (in the same breath!) that the place has no built in draw and you'll have to bring your own following.  

For The Birds

For The Birds

from 'four things every musician's gotta know' #4: “Exposure” kills.It’s no coincidence that this term refers to what kills you in bad weather. Although genuinely valuable exposure opportunities show up, they’re quite rare. “Exposure” is almost always offered as a feeble excuse to try to get naive performers to work for low or no compensation, based on the mere chance of an intangible commodity of dubious real value. The term is so common that booking agents will tout their venue’s excellent exposure opportunity, yet tell you (in the same breath!) that the place has no built in draw and you'll have to bring your own following. 

Exposure Kills #2

Exposure Kills #2

Remember folks, Exposure can kill or find you on the wrong side of the law!  From "Four things every musician's gotta know:"  #4: Exposure kills.It's no coincidence that the overused term 'Exposure' refers to what kills you in bad weather - it's generally used to get artists to work for low or no compensation, under the shady  premise that there's a chance someone might see them that might give them some real work, or, worse yet, "Make them famous."  Booking agents will freely tout their venue's excellent exposure opportunity, yet tell you (in the same breath even!) that there's no built-in draw.  They don't even realize they're suggesting you'll get new fans, plus famous, by performing to an audience that you bring. 

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